ArtandCulture, Tirana

The builders of Ohrid’s ancient theater have estimated very precisely where to put the building - in the center of the elevated old town. The open theater holds a perfect location, as the two hills (Gorni Saraj and Deboj) keep it protected from winds that could interfere with acoustics during performances. The Ancient theatre of Ohrid of the Hellenistic period was built in 200 BC and is the only Hellenistic-type theatre in the country as the other three in Scupi, Stobi and Heraclea Lyncestis are from Roman times. It is unclear how many people the original theatre used to seat, as only the lower section still exists. During Roman times, the theater was also used for gladiator fights. However, since the theater was also a site of executions of Christians by the Romans, it rapidly turned to a highly disliked site by the locals. In fact, as a result of this dislike, the theatre was abandoned and buried by the locals after the demise of the Roman Empire. Discovered accidentally and later excavated completely, this 4, 000 square meter monument to antique Greco-Roman culture is being used today during the annual Ohrid Summer Festival for performances of ancient tragedies and comedies. The Theatre offers a wonderful view of Lake Ohrid and Mt. Galichica to the southeast. http://www.exploringmacedonia.com/ancient-theater.nspx

Ohrid was enriched with another cultural and historical landmark as well as with a tourist attraction - Museum on Water - an exceptional archaeological complex, which is one of a kind in the region. On the southern coast of Gradiste Peninsula in the Bay of Bones, a pile-dwelling settlement has been erected, which in the past was spreading at a total surface of 8.500 m2. Bay of the Bones is an authentic reconstruction of a part of the pile-dwelling settlement, dating back between 1200 and 700 BC.A Roman military fortification (Gradiste) has been reconstructed on the hill above the Bay of Bones simultaneously with constructing the pile-dwelling settlement and the Water Museum. The walls of the fortification that once had protected the Roman Empire from its enemies, are once again lifted up on the hill near Gradiste. The Roman fortress is connected with the settlement in order tourists and visitors to be given an extraordinary opportunity to experience time travel, from prehistoric to ancient times and vice versa. http://www.exploringmacedonia.com/bay-of-bones.nspx

The Byzantine Art Museum (in Dexameni square), where artifacts from the Byzantine period are showcased; over 700 well preserved byzantine sculptures, murals, paintings and icons from temples from around the city. http://www.visitgreece.gr/en/main_cities/kastoria

The desire to pay respect to one the most famous person and Nobel Prize winner from Macedonia was accomplished on the 30-th of January 2009 with the opening of the Memorial house dedicated to Mother Teresa. The Memorial house of Mother Teresa is a non-profit organization financed by the Government of the Republic of Macedonia. The Location of the museum is not randomly chosen. That is to say, on this exact place the old Catholic Church “Sacred heart of Jesus” used to stand. It is where Mother Teresa, then Gonxha Bojaxhiu was baptized just one day after her birth, on the 27th of August 1910, place where she received her first communion and where she finds her inner peace after her father’s death. This place had great importance and influence on developing the character of young Gonxha and to her desire to help the poor people. Since she was a child she sang in the Catholic Church choir and participated in charity organizations. Somehow the location itself represents a symbolic bridge that connects little Gonxha to one of the greatest humanitarian of the world, Mother Teresa. http://exploringmacedonia.com/memorial-house-of-mother-teresa.nspx

Piazza Sant'Oronzo narrates the city's entire history. The Roman period is visible in the ruins of the Amphitheatre that becomes the exceptional stage for theatrical performances in summertime, and in part by the high Column - on which stands a bronze of St. Orontius, depicted in the act of blessing - erected in the 17th Century utilizing some of the Roman columns positioned on the Ancient Appian Way. http://www.italia.it/en/discover-italy/apulia/lecce.html

The Museum of Modern Art Dubrovnik was founded in 1945. The building now occupied by the Museum of Modern Art Dubrovnik was originally conceived and built (1935 – ­1939) as the showcase residential mansion of Dubrovnik ship owner Božo Banac, and in 1948 it was converted into exhibition premises and museum. It was designed by the well­known Croatian architects Lavoslav Horvat and Harold Bilinić in the neo­Renaissance­cum­Gothic style, along the lines of masterpieces of Dubrovnik urban and villa Renaissance architecture (the Rector’s Palace, the Divona/Sponza, the Sorkočević Villa and so on). Through the conversion works, nine exhibition rooms were created, along with two storerooms and some smaller working areas. Together with the large terraces looking on to the sea and its garden, the Museum has 900 square metres of indoor and over 1100 square metres of outdoor exhibition space. https://www.godubrovnik.guide/dubrovnikthingstodo/museum-modern-art/

The Maritime Museum was founded in 1949 at the initiative of the Yugoslav (today the Croatian) Academy of Sciences and Arts; since 1987 it was been a part of the Dubrovnik Museums. The main part of the holdings arose from numerous donations of Dubrovnik citizens to the Patriotic Museum in the first half of the 20th century and objects from the exhibition Dubrovnik Seafaring through the Ages, which was put on in 1941. Since 1952, the museum has been located on the first and second floors of Fort St John (sv. Ivan). In the past the fort guarded the entrance into the city port, and was one of the most important points of the city's defences. The construction works started in 1346, today's appearance being completed at the end of the 16th century. In the 19th century it was rebuilt into two floors, and at the places where there had been artillery embrasures, windows were installed. The museum systematically collects, studies, exhibits and publishes the museum material from the maritime past of the Dubrovnik region, all the way since Antiquity. Today it has holdings of over five thousand objects classified into fifteen collections. http://www.tzdubrovnik.hr/lang/en/get/muzeji/5591/maritime_museum.html

The origins of the Museum go back to 1872, when the Patriotic Museum was founded, for in its holdings it had a smallish collection of artworks of a cultural history character. More systematic collection of material began after World War II, thanks to the urging of the curator and first manager of the cultural history department, Dr Božo Glavić, to whom goes the credit for moving the collection into the Rector’s Palace and setting up the first in situ display, opened to the public in 1950. During the course of time, the collection turned into first a distinct department of the Dubrovnik Museum, and then into the Cultural History Museum, a component of Dubrovnik Museums. The holdings of the museum consist of material of distinctly cultural, historical and artistic value, with about ten thousand objects created over a time span from the end of the 15th to the beginning of the 20th century. It has been systematised into fifteen collections featuring painting, printmaking, furniture, textiles, ceramics, metals, icons, glass, photographs and photographic materials, miscellanea, documents, postcards, the writer Ivo Vojnović, old weaponry and numismatics. https://www.godubrovnik.guide/dubrovnikthingstodo/cultural-history-museum/

The Rector’s Palace (Croatian: Knežev dvor) is a palace in the city of Dubrovnik that used to serve as the seat of the Rector of the Republic of Ragusa between the 14th century and 1808. It was also the seat of the Minor Council and the state administration. Furthermore, it housed an armoury, the powder magazine, the watch house and a prison. The rector’s palace was built in the Gothic style, but it also has Renaissance and Baroque elements, harmoniously combining these elements. Originally it was a site of a defence building in the early Middle Ages. It was destroyed by a fire in 1435 and the town decided to build a new palace. The job was offered to the master-builder Onofrio della Cava of Naples, who had previously built the aqueduct. It became a Gothic building with ornaments sculpted by Pietro di Martino of Milan. A gunpowder explosion badly damaged the building in 1463. The renewal was offered to the architect Michelozzo of Florence. But he was rejected in 1464 because his plans went too much in the style of the Renaissance. Other builders continued the work. The capitals of the porch were reshaped in Renaissance style probably by Salvi di Michele of Florence. He continued the reconstruction from 1467 on. The building suffered damages from the earthquake of 1520 and again in 1667. Reconstruction was in Baroque style. A flight of stairs and a bell were added in the atrium. In 1638 the Senate erected a monument to Miho Pracat (by Pietro Giacometti of Recanati), a rich shipowner from Lopud, who had bequeathed his wealth to Dubrovnik. https://www.godubrovnik.guide/dubrovnikthingstodo/rectors-palace/

In 1872, the Patriotic Museum was founded in Dubrovnik; in the middle of 1873, the first museum display was made in the commune building. Among the exhibits, which were mainly from the period of the Dubrovnik Republic, the archaeological objects nevertheless stood out, for example, an Egyptian mummy, Greek vases and ancient amphorae. The donors were collectors, leading members of patrician families, sailors and Dubrovnik people living elsewhere. Foremost among them were the great benefactors and donors the Amerling brothers, who had been passionate advocates of the museum’s founding; they gave most of the Egyptian, Oriental and Japanese objects, birds, minerals and rarities of all kinds. In 1882, Arthur Evans, world-renowned archaeologist and initiator of archaeological research in the Dubrovnik area, gifted to the museum three Roman funerary inscriptions from Cavtat, the first entries into the book of donated and purchased objects. At the time the science of archaeology was being founded in Croatia in the early 20th century, lovers of antiquities gathered around the Dubrovnik branch of the Croatian Antiquarian Society in Knin and the Braće Hrvatskog Zmaja started to investigate the ruined Church of St Stephen, and after that it served as a temporary lapidarium for pre-Romanesque sculpture. https://www.godubrovnik.guide/dubrovnikthingstodo/archaeological-museum/

The Sponza Palace (Croatian: Palača Sponza), also called Divona (from dogana, customs), is a 16th­century palace in Dubrovnik, Croatia. Its name is derived from the Latin word “spongia”, the spot where rainwater was collected. The rectangular building with an inner courtyard was built in a mixed Gothic and Renaissance style between 1516 and 1522 by Paskoje Miličević Mihov. The loggia and sculptures were crafted by the brothers Andrijić and other stonecutters. The palace has served a variety of public functions, including as a customs office and bonded warehouse, mint, armoury, treasury, bank and school. It became the cultural center of the Republic of Ragusa with the establishment of the Academia dei Concordi, a literary academy, in the 16th century. It survived the 1667 earthquake without damage. The palace’s atrium served as a trading center and business meeting place. An inscription on an arch testifies to this public function: https://www.godubrovnik.guide/dubrovnikthingstodo/sponza-palace/

The Ethnographic Museum has its origins in the collection of traditional culture that began to be formed in the first decades of the twentieth century. Its holdings were very much enlarged with specimens of traditional attire and lace donated several times by that great benefactor of the museum, Jelka Miš (1875 -1956). In the course of time, the collection grew into the ethnological department of Dubrovnik Museum, and in 1950 opened its first display of original ethnographic folk handicrafts from the local area on the second floor of Fort St John. At the end of the eighties, the ethnographic department was relocated to the building of the Dubrovnik Republic’s granary, popularly known as Rupe/The Holes, which derives from the name for the underground grain storage areas carved out of bedrock or tufa. https://www.godubrovnik.guide/dubrovnikthingstodo/ethnographic-museum/

Fort Lovrijenac or St. Lawrence Fortress, often called “Dubrovnik’s Gibraltar”, is a fortress and theater located outside the western wall of the city of Dubrovnik in Croatia, 37 m above sea level. Famous for its plays and importance in resisting Venetian rule, it overshadows the two entrances to the city, from the sea and by land. Early in the 11th century the Venetians attempted to build a fort on the same spot where Fort Lovrijenac currently stands. If they had succeeded, they would have kept Dubrovnik under their power, but the people of the city beat them to it. The “Chronicles of Ragusa” reveal how the fort was built within just three months time and from then on constantly reconstructed. When the Venetian ships arrived, full of materials for the construction of the fort, they were told to return to Venice. The Croatian leg of the Red Bull Cliff Diving World Series takes place in Lovrijenac. https://www.godubrovnik.guide/dubrovnikthingstodo/fort-lovrijenac/

Strolling along the seaside promenade Goffredo di Crollalanza, you’ll come across one of the most beautiful late-Liberty buildings ever made in Bari, overlooking the gardens of Adua square and the sea. https://www.viaggiareinpuglia.it/at/5/luogocultura/663/en/Teatro-Kursaal-Santa-Lucia-Bari-(Bari)

Much like La Fenice in Venice, the Teatro Petruzzelli has a story of destruction and rebirth. Originally constructed in 1903, the theater was destroyed by arson in 1991. It took years to get construction re-started, but finally, in 2009, ownership of the theater passed from private hands to the city of Bari and the theater re-opened with a performance of the Ninth Symphony by Beethoven. https://selectitaly.com/tickets/theaters-opera-concerts/teatro-petruzzelli/59#fndtn-at-a-glance

Bishop’s Treasury Museum is located in Bishops Palace in an elegant two-storey palace on Sveti Marko Square in Korcula Old Town. The museum is also called Abbey Treasury of St Mark (Opatska Riznica Svetog Marka). The ground floor covers parish office, library, archives and Kitchen exhibition hall. On the first floor, there are exhibits of Treasury hall, while the top floor covers residence of the parish priest. The museum exhibits numerous works of art including some paintings by Blaz Jurjev and Tiepolo. There are also old manuscripts with illuminated codex from the 12th century, alabaster sculptures from the 15th century as well as a statue of Mary Stuart from the 17th century. This is an interesting museum collection worth to visit if you are in Korcula. https://www.korculainfo.com/bishops-treasury/

Korcula Town Museum (Gradski muzej Korcula) is located at St Mark’s Square facing Cathedral Sveti Marko. The Museum is housed in Gabrielis palace that was built in 15th and 16th century. It is 3 storey building with basement and attic. Museum has various collections covering Korcula’s history and culture from Ancient history to nowadays. https://www.korculainfo.com/museums/korcula-museum/

Vapor Art Gallery is lovely Korčula art space located in the very Sea Gate medieval Tower right next to Morska vrata town entrance. The gallery offers for sale large selection of major Croatian contemporary and modern artists including paintings by Stipe Nobilo, the local painter, Vasko Lipovac and others https://www.korculainfo.com/vapor-art-gallery/

The National Museum of BiH was founded on February 1, 1888 and was first housed in a building next to the Sarajevo Cathedral. Construction of the facility in Marijin Dvor, the museum’s current home, got underway in 1909 and was completed in 1913 and designed by Karl Paržik. The museum allows visitors to take “a short walk” through BiH’s past, from earliest times all the way to the ethnology exhibit, whose interior captures the atmosphere of a traditional city house during the Ottoman period. The most valuable item in the museum’s collection is the famous Sarajevo Haggadah, which the Sephardic Jews brought to Sarajevo when they left Spain. There is also the rich collection in the natural history section which covers both living and non-living worlds, including a skeleton of a bearded vulture, a bird with a giant wingspan which used to fly in the skies above BiH not that long ago. https://sarajevo.travel/en/things-to-do/national-museum-of-bih/237

The Holy Trinity Church and especially its tall belfry have become a symbol of Bansko as one of the most attractive mountain resorts, successfully combining the charm of its rich historical past and its picturesque location at the foot of the mighty Pirin Mountain with the most modern facilities for recreation – a wide choice of reputable hotels for all tastes and budgets, one of the best ski zone in South-East Europe. The Church dedicated to the Holy Trinity was built in the period of the Bulgarian National Revival. Its inauguration was made in 1835. The architectural plan of the church is a three-nave basilica or more exactly a pseudo-basilica with 44 m length, 22 m width and 12 m height. The walls are 1.1 m thick and entirely constructed of local ashlar, welded together by mortar. Large wooden beams of centuries old white fir (typical for the region) are used in the foundation and for leveling the walls. Part of the church is sunken under the ground level in order to look smaller from the outside and Turks can not get an idea about its real size. The altar piece is set within a skillfully constructed and decorated apse in the form of the half of a 18-angle prism with a remarkable stone cornice on the exterior. The roof is hold in the interior of the church by 12 massive wooden columns of white fir, symbolizing the 12 apostles. http://bansko-guide.com/attraction/holy-trinity-church/

Velyan’s House in Bansko is located near the Holy Trinity Church and the central square of the town. The house is an example of the architectural style – fortified house of the Bulgarian Revival Period. Velyan’s House was built in the 18th century and was opened to visitors in 1977. This was a modern two-story building made of stone and wood owned by a wealthy trade family with many children. After a sudden tragedy the family left the house. When the master-painter Velyan Ognev was invited come to Bansko to work on the decoration of the Holy Trinity Temple, the house was given to him by the local people as a symbol of gratitude. The master decorated its interior and exterior and transformed it into a genuine piece of art. With its hiding places, secret exits and fortified walls the Velanova kashta is a piece of legacy from the old times when Bulgaria was under Otoman rule and when people were supposed to hide and protect themselves by the numerous attacks by bandits at that time. http://bansko-guide.com/attraction/velyans-house-velyanova-kashta/

The “Ivan Vazov” National Theatre is Bulgaria’s biggest theatre, as well as the oldest and most stand out and most imposing theatre in the country. This theatre is one of the major landmarks in Sofia due to its prime location and grandiose architecture. The National theatre is located in the centre of Sofia and its edifice faces the City Garden. The Ivan Vazov National Theatre has a well-equipped main stage with 750 seats, a smaller 120-seat stage and an additional 70-seat one on the fourth floor. The theatre employs some of the country’s best actors and stage directors, many of whom are widely popular. http://www.sofia-guide.com/attraction/ivan-vazov-national-theater-sofia-bulgaria/

The National Art Gallery is the largest and the most representative museum of the Bulgarian fine arts in the country. It is housed in the building of the former royal palace (declared a cultural monument in 1978), together with the National Ethnographic Museum. The beginning of the collection was set in 1892 when the art department of the National Archaeological Museum was established. In 1948 by resolution of the Council of Ministers, the National Art Gallery was established as an independent institution. The exposition of orthodox arts is presented in the crypt of the monumental temple “St. Alexander Nevski” in Sofia. The collection of works of art covers a large period of time – from the adoption of Christianity as an official religion in the Roman Empire in the 4th century to the Age of Bulgarian Revival (18th – 19th century), and it mainly consists of icons. The collections of contemporary and modern Bulgarian art of the museum – from the Liberation of Bulgaria from the Ottoman Dominion (1878) to the 1990s, contain more than 30,000 works of art, and they are divided into three basic expositions – high quality paintings, graphics and sculptures. https://www.bulgariatravel.org/en/Article/Details/262/National%20Art%20Gallery#map=6/42.750/25.380

In the 19th century during the period of sailboats Stari Grad marked the development of the shipping industry and naval construction. There is a rich naval collection preserved in Palace Biankini in Stari Grad. The collection was founded by the Centre for the Preservation of Cultural Heritage of the island of Hvar in 1966 and besides documentation on naval construction; it also displays various nautical instruments, paintings of Hvar captains, old nautical charts and literature on navigation. https://www.visit-hvar.com/tours/palace-biankini-and-naval-collection/HV-TR-38

The castle acropolis Commonly called the Castle of Charles V by the imperial coat of arms that was located there, it was created as a rudimental fortress on the ancient Greek Acropolis, to defend the country from foreign invasion. http://www.federicoitineraridellostupore.it/index.php/en/calabria/crotone/the-castle-of-carlo-v

An easy stroll from Hvar's square, along the sea and the waterfront soon brings you to the Franciscan monastery. Within the peace and quiet of the monastery walls, you can enjoy a rich display of museum exhibits (collections of Greek, Roman and Venetian coins, liturgical items, atlas of the ancient cartographer Ptolemaeus, rare exhibits of amphora, etc.), as well as paintings of Venetian artists like Francesco Santacroce and Palma Junior. The monastery is known for its magnificent painting of the Last Supper (2 x 8 m) which leaves everyone breathless. Some critics believe it is the work of a painter from Ravenna Matteo Ingoli, whilst others think that the painting belongs to the school of Palma Junior. One more rarity that makes the monastery famous is the 300-year old cypress that is located in the garden of the monastery. https://www.visit-hvar.com/tours/franciscan-monastery-hvar/HV-TR-28

If you visit Hvar, all the streets will lead you to Hvarska pjaca (Hvar's square), the centre of the city's public and social life and the largest square in Dalmatia. The eastern side of the square is surrounded by the Cathedral of St. Stephen that was built on the foundations of an early-Christian church from the 6th century and that acquired its present appearance in the 16th and 17thcentury. The Cathedral is dedicated to St. Stephen, a pope and martyr, the protector of the Diocese and the city of Hvar. The renaissance bell-tower of the Cathedral and Hvar's other bell towers (St. Mark, Franciscan and the ruined one of St. Venerande) are considered to be the nicest ones in Dalmatia. Hvar's Cathedral preserves many valuable items and paintings of famous painters like Stefano Celesti, Palma Junior and the Spanish painter Juan Boschettus, but the most renowned painting is definitely Madonna, an example of the proto-Venetian art and one of the oldest in Dalmatia originating back in 1220. In the Episcopal Palace standing next to the Cathedral, a collection of objects of art, sacred vessels, archival documents, old books and liturgical vestments was founded in 1963. http://www.visit-hvar.com/tours/square-of-st-stephen-cathedral-of-st-stephen/HV-TR-37

Resembling an art studio or creative room which also serves as a living space, the gallery Hvaroom hosts exhibitions of Maja Jelušić and Ana Kolega. Over the last couple of years, it also featured photo exhibits of Ivo Vučetić, Filip Bubalo and Marko Jelušić. Apart from paintings and sculptures, the gallery also offers a variety of textile articles, author postcards and books. This crafty corner is situated in a stone Mediterranean house, grandma's 300 years old legacy semi-detached with one of the oldest theatres in Europe and Arsenal, former Venetian warehouse. Good, old grandma is still around, just like a cosy bar on the terrace Belvedere two floors above, opened on the previous location of Hvaroom, representing an additional exhibition venue of the gallery. In a thirteen years long art trajectory, the gallery has been recognized as a pleasant meeting place offering a variety of unique art products created out of love for the island’s hidden delights. The authentic interior is a melting pot of art, design and life’s little pleasures. Studio and gallery. Store and room…Hvar room. https://www.visit-hvar.com/tours/hvaroom-gallery/HV-TR-261

Prehistoric town walls, numerous archaeological finds, several sarcophagi, reliefs and medieval graves are an evidence of the long history of the place and the lives of its people. Where there once stood Illyrian town walls from 1400 BC, later was a Roman mausoleum, then a Radojković Tower built for defensive purposes and today it is a museum of the island of Brač. The museum displays interesting exhibits from Kopačina cave, Roman tomb-stones, sea charts and diverse folk handicrafts from the entire island. This jewel of historical and cultural heritage has always been a very popular tourist destination. The long history and culture of the island of Brač is best seen in Škrip – the oldest settlement on the island. https://www.visitbrac.com/tours/the-museum-of-the-island-of-brac/BR-TR-146

Jaksić Gallery is located in the family yard, surrounded by the workshops of each author. In it, you can find the paintings of doctor of art Dina Jaksic, jewellery made of semiprecious stones combined with silver designed by Ida Jaksic, stone sculptures of the sculptor Lovre Jaksic, while the interior and exterior of the gallery are work of stonemasonry workshop which is in the property of Drazen Jaksic. He is not only a master of the craft but also a designer with the idea. The gallery also contains a number of useful items made of Brač stone and stone furniture which is an attraction itself. https://www.visitbrac.com/tours/jaksic-gallery/BR-TR-162

Gallery featuring contemporary sculpture, paintings & other works of the namesake artist. Vasko Lipovac was a Croatian painter, sculptor, printmaker, designer, illustrator and scenographer and one of the most prominent artists of the region. He is best known for his minimalist figuration and use of intense, unmodulated and often dissonant palette. With the exception of his juvenile period of geometric abstraction, he remained loyal to figuration throughout his whole career. Exceptionally prolific, he worked in various techniques and was equally skilful in using high-polished metal, polychromous wood, enamel, terracotta or polyester to create his sculptures, reliefs and mobiles. http://www.vaskolipovac.com/

Art Studio Naranča was founded in 1983 as a design studio of small arts and crafts objects. When the gallery moved in the bigger space at the beginning of the nineties in Majstora Jurja street at the heart of Split’s Diocletian palace we have expanded our activities by organizing exhibitions of Croatian and international contemporary artists. International graphic art biennial “Splitgraphic” was established ten years ago in Studio Naranča gallery. Fifth “Splitgraphic” International Graphic Biennial was successfully organized in 2011. with participation and exhibitions of renowned Croatian and international artists. In gallery Studio Naranča you can find the works of Pavo Majić, a graphic artist, his prints, paintings, designed items, Maja Mijač Majić’s unique jewellery, as well the books by Marina Majić and Pavo Majić. https://studionaranca.com/studio-naranca/

Prokurative or as they are officially called, Republic Square resemble the Venice St. Marks Square. They are located west of the Riva and they were named after the arches found on the neo-Renaissance buildings surrounding the square on three sides. http://visitsplit.com/en/514/prokurative