Florence

Looming 102 meters over the Piazza del Campo, the elegant, sleek tower to the Palazzo Pubblico is the third tallest in all of Italy. Built from red brick, as a symbol of its affinity to the “commoner” the tower is 87 meters tall of brick and the remaining is a white travertine, most probably to make it visually more prominent. https://www.discovertuscany.com/siena/tower-of-mangia.html

The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello and Michelangelo as well as frescoes by Pinturicchio. https://www.discovertuscany.com/siena/siena-churches/duomo.html

The Museo Civico, the city museum of Siena is situated at the heart of the city, in the first floor of the city hall known as Palazzo Pubblico in the main square of Piazza del Campo. Palazzo Pubblico is still used for its original function, for the municipal offices of Siena. https://www.discovertuscany.com/siena/what-to-do/museo-civico-siena.html

As you exit the main highway at Cascina on the east to west road called the FI-PI-LI and start to drive towards the Apuane Alps, you slowly shake off the busy industrial sensations and start to ease yourself into the quiet and tranquility that first drew the Carthusian monks to this area. https://www.discovertuscany.com/pisa/certosa-di-calci.html

Piazza dei Cavalieri and Piazza Dante Alighieri are the centres of student life and in the streets around about there are many typical and affordable restaurants. In Piazza delle Vettovaglie there is the historic food market. http://www.grosseto-info.com/index.htm#.Wko_-1T1XLZ

The Knights’ Square or Piazza dei Cavalieri, lined with splendidly decorated buildings, has for centuries been the political heart of Pisa and is the second most important square after The Square of Miracles. A visit to the Renaissance church of Santo Stefano dei Cavalieri will give you a real insight in the colourful maritime history of the city. The Knights’ Square – what can you see there? - Palazzo dei Cavalieri was also known as “della Carovana” (Palace of the Convoy). This name derives from the three-year training period undertaken by the initiates of the Order, called “la Carovana”. Vasari embellished it with exquisite sgrafitti, that represent allegorical figures and signs of the zodiac, and the busts of the Grandukes of Tuscany. In front of it stands the huge statue of a victorious Cosimo I proudly ‘squashing’ the head of a dolphin, as a symbol of his naval victories. Today the palace hosts the Normale di Pisa University. The Church of the Knights of the Holy and Military Order of St. Stephen was also designed by Vasari (1565–1569). It contains Ottoman and Saracen naval banners captured by the Knights of St. Stephen. The ceiling shows off paintings with historical episodes involving the order, like the “Return of the Fleet” from the Battle of Lepanto. http://lovefromtuscany.com/where-to-go/cities-in-tuscany/pisa/piazza-dei-cavalieri/

The Leaning Tower of Pisa is one of the most remarkable architectural structures from medieval Europe.Tower of Pisa stands at 60 metres and until 1990 was leaning at about a 10 degree angle. http://www.towerofpisa.org/?utm_source=discovertuscany.com&utm_campaign=DiscoverTuscany&utm_medium=referral&utm_content=%2Fpisa%2Ftickets.html

Pisa Cathedral is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli. Founded in 1064 and consecrated with great pomp on September 26th 1118, the Cathedral was built in two stages, one by architect Buscheto, who created the original layout with the basilican body with four aisles and one nave, a transept with one nave and two aisles, and the dome on the cross vault, and one by Rainaldo, who extended the building and the façade. The outer facing of the Cathedral is decorated in alternating black and white shades in stripes of Arab influence and a massive use of reused materials from Roman monuments that emphasised the greatness of the city of Pisa, “altera Roma”. Inside, the nave is edged by two rows of monolithic columns made of granite from the Isle of Elba, flanked by four aisles separated by smaller colonnades with large womenís galleries on top, covered by cross vaults and looking out onto the nave through some double-lancet and four-lancet windows. The nave is covered by a wooden coffered ceiling that in the XVII century replaced the original exposed trusses. https://www.opapisa.it/en/square-of-miracles/cathedral/

The exuberant Santa Maria della Spina Church in Pisa, Italy, is a beautiful work of Gothic fantasy rendered in miniature, that sits on the banks of the Lungarno Gambacorti. The eye-catching Santa Maria della Spina was originally a simple oratory for seamen, who would come here to pray for a safe return. The church was originally closer to the river bank. The church needed to reflect the value of the relic that it contained, so the best artists of the time went to work on it. These included Lupo di Francesco, Andrea Pisano with his sons Nino and Tommaso, and Giovanni di Balduccio. The “Madonna and the child with two angels” in the tabernacle on the façade is attributed to Giovanni Pisano, an important master who also worked at the Cathedral. The sumptuous decorations on the right side and in the tabernacles were made in the workshops of the Giovanni Pisano school. In contrast with the outside, the interior is quite ostentatious. It’s essentially one open space, at one end of which stands the “Madonna of the Rose” by Andrea and Nino Pisano, one of the most notable achievements of Gothic sculpture. http://lovefromtuscany.com/where-to-go/cities-in-tuscany/pisa/santa-maria-della-spina-church/

The Cemetery is the last monument on Piazza del Duomo, its long marble wall flanking the northern boundary and completing its shape. It was founded in 1277 to accommodate the graves that until then were scattered all around the Cathedral. Archbishop Federico Visconti wanted the building to be a “large and dignified, secluded and enclosed place”. This is how one of the oldest Christian Medieval architectures for the devotion of the dead came into being. https://www.opapisa.it/en/square-of-miracles/camposanto/

The Campo dei Miracoli in Pisa, or the Square of Miracles, was proclaimed a World Heritage Site by UNESCO 25 years ago. The square is not located in the center of the city as you might imagine but to the north-west of the fortified wall, almost out of the town; there probably wasn’t enough space to use at the time the project got underway so this is the site decided upon. Since the times of the Etruscans, the three structures found in the piazza have been considered central to religious life, symbolizing the main stages of a human’s life https://www.discovertuscany.com/pisa/piazza-dei-miracoli.html

The Baptistery of San Giovanni was founded on 15 August 1152. It is here that the Sacrament of Baptism is administered and the Christian embarks upon the path of Faith. The reason that such a fascinating and enigmatic building was constructed was certainly the wish to endow the cathedral with a worthy adjunct: a Baptistery that, in terms of position, size, materials and style, would be in harmony with the majestic building that already stood opposite. https://www.opapisa.it/en/square-of-miracles/baptistery/

Just a few kilometres from the hubbub of tourists visiting Pisa and its splendid piazza dei Miracoli, there’s an island of nature that sits silently and far away from the changes of urbanization. We’re talking about the Migliarino, San Rossore and Massaciuccoli Nature Park, a protected site that includes wet areas, marshes, sand dunes and the large Lake Massaciuccoli, once an ancient salt water lagoon. The San Rossore Estate is the most important environment in the park: hugged by the Serchio to the north and the Arno to the south, the area conceals dense pine groves and woodlands of deciduous trees from the old-growth forest. The estate’s accessible itineraries zigzags through dunes and tombolos, marshes and woods that hide a wealth of fauna and flora. https://www.visittuscany.com/en/itineraries/excursion-in-the-migliarino-san-rossore-and-massaciuccoli-nature-park/

Cattedrale Matropolitana di San Pietro is the cathedral of Bologna, entitled “Metropolitana” in 1582 by Pope Gregorio XIII, who also turned the diocese of Bologna into an archdiocese. In the past, there was a baptistery in front of the façade and the origins of the building may be traced back to the beginning of the Christian era (even though it is said that the church already existed during the 10th century). http://www.bolognawelcome.com/en/home/discover/places/architecture-and-monuments/religious-places/cattedrale-metropolitana-di-san-pietro

The Pinacoteca is located not far from The Due Torri (the Two Towers, symbols of Bologna), inside the former St. Ignatius Jesuit Novitiate, built in the second half of the 15th century house young men who were to join the Society of Jesus (Jesuit Order). Besides the Pinacoteca, the building is also the headquarters of the Accademia delle Belle Arti (Figurative Arts Academy) as well as the Historical Artistic and Ethno-anthropological Heritage Authority http://www.bolognawelcome.com/en/home/discover/places/culture-and-history/museums-and-art-galleries/pinacoteca-nazionale-di-bologna-national-gallery

The Botanical Garden of the University of Bologna is one of the oldest in Italy. It was founded in 1568 on the initiative of Ulisse Aldrovandi (1522-1605). After several transfers found its permanent home in Via Irnerio, in the heart of the University area. http://www.bolognawelcome.com/en/home/discover/places/nature-and-landscape/parks-and-gardens/orto-botanico

il Ponte di Tiberio, was started during the reign of Augustus, as part of his extensive series of public works for Rimini, but takes its name from Tiberius, the Emporor under whose reign the bridge was finished. Built in seven years, between 14 and 21.AD. http://www.visit-rimini.com/general-sightseeing/il-ponte-di-tiberio-the-tiberius-bridge/

In the heart of the modern city of Rimini you’ll find some of the best preserved domestic mosaics from the roman world – the so-called ‘Surgeon’s House’ (Domus Del Chirurgo). http://www.visit-rimini.com/general-sightseeing/domus-del-chirurgo-the-surgeons-house/

The Tempio Malatestiano, or the church of San Francesco as it was correctly known up until the nineteenth century, is perhaps the most important monument in Rimini, and certainly one of the best preserved. http://www.visit-rimini.com/general-sightseeing/tempio-malatestiano/

Bishop Rolando, who supported Innocent II during the schism of Anacletus, obtained authorisation to transfer the seat of the See of Rosellana to Grosseto from Innocent II on 9 April 1138. During the 12 C, the parish church of Santa Maria Assunta was the cathedral of Grosseto. It was located more or less in the position the apse of the current cathedral which was finished in 1294, as shown by two dated stone in the façade and inside of the church, one dated 1294 and the other 1295. The present Cathedral of Grosseto is dedicated to San Lorenzo and was built under the supervision of the Siennese Sozzo da Rustichino. The belfry tower was added in 1402 during a period of Siennese domination. (It was restored and modified in 1911.) The façade has lost its original appearance, having been completely rebuilt between 1816 and 1855, but some evidence of the original cathedral has been preserved, notably the symbols of the Evangelists. Between 1859 and 1865, another major restoration gave to the inside of the cathedral a "neo-gothic" appearance that it did not have previously. The major art works are a Baptism Font and the altar of the Madonna of the Graces, both the work of Antonio di Paolo Ghini from between 1470 and 1474, the marvelous Madonna of the Graces by Matteo di Giovanni, also from 1470, and the right side of the cathedral which is in the Siennese style. http://www.grosseto-info.com/the_cathedral_of_grosseto.htm#.Wko_cFT1XLY

The main attraction nearby is Castiglione della Pescaia, a very attractive town consisting of a fishing boat harbour dominated by a mediaeval castle. http://www.grosseto-info.com/index.htm#.Wko_-1T1XLZ

Built in the XV Century as a replacement for the earlier Romanesque cathedral, is situated in an area considered sacred since the archaic age, as testified in the several layers recently came to light. http://turismo.comune.perugia.it/poi/cathedral-of-san-lorenzo

The Fontana Maggiore was created between 1278 and 1280 by Nicola and Giovanni Pisano to celebrate the completion of the new aqueduct. It was designed by Friar Bevignate, with the aid, for the hydraulic side, of Boninsegna from Venice. http://turismo.comune.perugia.it/poi/fontana-maggiore-000

The National Gallery of Umbria is organised following a chronological exhibition itinerary structured in 40 rooms on a total surface of 4.000 square meters. It houses one of the most complete collection of artworks in Italy dated between XIII and XIX Centuries, with works by Duccio di Boninsegna, Benedetto Bonfigli, Bartolomeo Caporali, Gentile da Fabriano, Beato Angelico, Benozzo Gozzoli, Piero della Francesca, Pintoricchio, Perugino, Orazio Gentileschi, Pietro da Cortona, Gian Lorenzo Bernini and others. http://turismo.comune.perugia.it/poi/galleria-nazionale-of-umbria-000

Первая из пяти деревень Cinque Terre, с традиционными домиками, лодками, пиццей. street food у них fried fish mix - креветки, анчоусы, кальмары, вообще все в кучу обжаренное во фритюре. Хорошая смотровая дорожка рядом со станцией

Деревня Vernazza, в которой находилась наша "база", квартира, из которой мы совершали вылазки в другие места Cinque Terre. В путеводителях было написано, что Vernazza это город, но боюсь, что они сильно приувеличили. Бывшая рыбацкая деревня, которая сейчас живет исключительно на туристах. Классические итальянские узкие улицы, рынок по утрам. Очень неплохой заливчик, где можно купаться. Длинные волнорезы, на которых вечером можно пить шампанское Да, и еще. На мой взгляд, здесь был один из лучших рыбных ресторанов из тех, что мы посещали в Италии. По крайней мере, самый колоритный и интересный, это точно.

В Vernazza останавливались в квартире на самом верху холма. Из минусов, конечно, что подниматся было непросто. Лишний раз вниз, за бутылочкой кьянти не сбегаешь, вспотеешь. Но с балкона открывались изумительные виды на деревню и на море, а в спальне можно было распахнуть окно и потягиваясь выползти на белый свет и налить чашку кофе и обозревать итальянскую жизнь.

Наверное, второй после Vernazza город в Cinque Terre, он чуть побольше чем Vernazza, несколько небольших улиц с кафе, очень понравился, комфортный.

Пляж в деревушке Monterosso, в Италии, в долине Cinque Terre. Приятная, прозрачная вида, немного каменистый вход но терпимо. Жаль, что попали в самый сезон, на пляже не протолкнуться, наверное позже, в Сентябре свободнее.

Commissioned by Maria Luigia and designed by Nicola Bettoli, the Regio theatre was built between 1821 and 1829 on the site of the Benedectine convent of St. Alessandro. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/regio-theatre

The chamber of Saint Paul used to be part of the abbess' apartment in the Benedectine Convent of Saint Paul, decorated from 1514 at the order of Abbess Giovanna da Piacenza, whose priorate was characterized by a lively cultural life. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/museums-and-galleries/chamber-of-saint-paul-and-saint-catherines-cell

The vast but unfinished complex, named after the game pelota that was played in one of the courtyards, was built in the second half of the 16th century at the order of Ranuccio I around the Visconti stronghold and alongside the existing church of San Pietro martire. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/villas-historical-residences-and-theaters/pilotta-palace

Dedicated to the so-called "right bank", that is, the area of the historic centre that unfolds to the right of the cathedral of San Lorenzo, this itinerary begins in Piazza Caricamento, where goods were once unloaded and loaded in the old harbour. Here, you'll find Palazzo San Giorgio, today home to the Port Authority. http://www.visitgenoa.it/en/itinerary-la-rive-droite