Museums, Florence

The Museo Civico, the city museum of Siena is situated at the heart of the city, in the first floor of the city hall known as Palazzo Pubblico in the main square of Piazza del Campo. Palazzo Pubblico is still used for its original function, for the municipal offices of Siena. https://www.discovertuscany.com/siena/what-to-do/museo-civico-siena.html

As you exit the main highway at Cascina on the east to west road called the FI-PI-LI and start to drive towards the Apuane Alps, you slowly shake off the busy industrial sensations and start to ease yourself into the quiet and tranquility that first drew the Carthusian monks to this area. https://www.discovertuscany.com/pisa/certosa-di-calci.html

The Cemetery is the last monument on Piazza del Duomo, its long marble wall flanking the northern boundary and completing its shape. It was founded in 1277 to accommodate the graves that until then were scattered all around the Cathedral. Archbishop Federico Visconti wanted the building to be a “large and dignified, secluded and enclosed place”. This is how one of the oldest Christian Medieval architectures for the devotion of the dead came into being. https://www.opapisa.it/en/square-of-miracles/camposanto/

The chamber of Saint Paul used to be part of the abbess' apartment in the Benedectine Convent of Saint Paul, decorated from 1514 at the order of Abbess Giovanna da Piacenza, whose priorate was characterized by a lively cultural life. http://www.turismo.comune.parma.it/en/thematic-channels/discover-the-area/art-and-culture/museums-and-galleries/chamber-of-saint-paul-and-saint-catherines-cell

The Parks of Nervi are an important historical/nature complex formed from the combination of several gardens that once belonged to private villas: Villa Gropallo, Villa Saluzzo Serra, and Villa Grimaldi Fassio. Today, these villas belong to the City of Genoa and have been transformed into museums. http://www.visitgenoa.it/en/parchi-di-nervi-gropallo-serra-grimaldi-and-luxoro-villas

The town of Lonato boasts an exceptional monumental complex. Even the most demanding tourists will find it worth visiting. http://www.bresciatourism.it/en/what-to-do/rocca-and-ugo-da-como-house-museum/

On display in Palazzo Rosso, a noble residence decorated with valuable furnishings and frescoes by Liguria's greatest painters of the 17th Century, is a rich gallery of paintings, collected over more than two centuries by the noble Brignole-Sale family. http://www.visitgenoa.it/en/strada-nuova-museums-palazzo-rosso

The Accademia Museum (Gallerie dell'Accademia) is part of a complex including the church of Santa Maria della Carità, the homonymous Scuola Grande (the original entrance is now the main access to the museum) and the Monastery of the Canonici Lateranensi (the complex was in use until the beginning of the XIX century). The gallery take its name from the Accademia delle Belle Arti (Art Accademy) who opened the building and shared the sites until few years ago (2004). The operas preserved inside the Gallery are many and of inestimable value. Most of the painting comes from a period between the XIV and the XVIII century, the most important authors are Carpaccio, Bellini, Tintoretto, Tiziano. Also many sculptures and drawing can be admired, amongst them the vitruvian man by Leonardo da Vinci, exposed only few periods. Initially the museum was operating as didactic and restoration of art operas centre. http://venice-tourism.com/en/places/dorsoduro-district/accademia-gallery-museum

The Correr Museum offers a real opportunity to know the Art and History of Venice. In the Napoleonic wing that was during the 19th century house of kings and emperors with their impressive neoclassical rooms, we find an important collection of works of one of the greatest sculptors of that time, Antonio Canova (1757-1822). In this museum we can also visit the New Magistrates, "Procuratie Nuove", which were designed between 1552-1616 by the architect Vincenzo Scamozzi and where once the most important civic authorities of the Republic of Venice were housed. In these spacious rooms, currently there are collections that document various aspects of the city's history, such as public institutions, daily life, naval achievements and local festivals. On the second floor is the exhibition of the Art Collection covering the period from the beginning of Venetian painting to the 16th century; also here we can find other incomparable masterpieces. https://www.venice-museum.com/correr-museum-piazza-san-marco.php

The Dogi Palace represent the symbol and the hart of the political and administrative life of the Venetian Republic millenary history. In the halls of the palace the Doge and the council took all the decision about Venice and its life. http://venice-tourism.com/en/places/san-marco-district/dogi-palace-and-its-secrets

The Vatican Museums,founded by Pope Julius II in the early 16th contain one of the world's greatest art collections in the world. Exhibits range from Egyptian mummies and Etruscan bronzes to ancient busts, old masters and modern paintings. https://m.museivaticani.va/content/museivaticani-mobile/en.html

The first nucleus, a collection of ancient sculptures, was constituted by Julius II (1503-13) but the idea of ​​the museum was born with Clement XIII (1758-69), who with the assistance of Winckelmann had the Museo Profano exhibiting set up Greek and Roman sculptures. With Clement XIV (1769-74) and Pius VI (1775-99) the Museo Pio Clementino was born, which brings together the most famous examples of ancient sculpture such as the Apollo del Belvedere, the Laooconte group and the Torso del Belvedere, while in 1807 -10, under Pius VII, the Chiaramonti Museum is set up by Canova, which houses Roman sculptures. In 1822 the Braccio Nuovo is opened with over 150 sculptures including statues such as the wounded Amazon, the Doryphoros, the enormous statue of the Nile, the Augustus of Prima Porta. With Gregory XVI the Gregorian Etruscan Museum was opened in 1837 , with finds coming mostly from the nineteenth-century excavations carried out in southern Etruria, and in 1839 the Egyptian Gregorian collecting a series of statues depicting deities or characters of the royal family, sarcophagi, mummies and elements of funerary furniture. In 1844 he opened the Lateran Profane Museum (today Gregoriano Profano) and later the Pio Cristiano which collected materials from excavations in the Roman catacombs including numerous sarcophagi. https://www.turismoroma.it/it/node/121

Known as Hadrian's Tomb, the Castel Sant'Angelo is a fortress located on the right bank of the Tiber, a short distance from the Vatican City. Construction of the building began in the year 135 under the direction of the Emperor Hadrian, who intended to use it as mausoleum for himself and his family. It was finished in the year 139 and a short time later, it became a military building, which in the year 403 would be integrated to the Aurelian Walls. The Castel Sant'Angelo is split into five floors which can be reached by a spiral ramp that first reaches the chamber of ashes and subsequently the cells in which a number of historical figures were incarcerated. Advancing toward the upper part of the castle you will find different rooms that functioned as a Papal residence, decorated with perfectly preserved frescoes from the Renaissance period, besides the extensive collection of weapons. In the upper floor there is a large terrace where you can take amazing photographs of the city from above. Advancing toward the upper part of the castle you will find different rooms that functioned as a Papal residence, decorated with perfectly preserved frescoes from the Renaissance period, besides the extensive collection of weapons. In the upper floor there is a large terrace where you can take amazing photographs of the city from above. https://www.rome.net/castel-sant-angelo

The Pantheon, completed in 126 AD, was a Roman temple with a surprising oculus that is the building's main source of natural light. The Pantheon of Agrippa, also known as the Roman Pantheon, is one of the architectural masterpieces of the Italian capital. It is the best preserved building from ancient Rome. The construction of the current Pantheon was carried out during the reign of Hadrian, in the year 126 A.D. The name of Agrippa comes from the place in which the current building is built, which was previously occupied by the Pantheon of Agrippa, built in the year 27 B.C and that was destroyed in a fire in the year 80 A.D. At the beginning of the 7th century the building was donated to the Pope Boniface IV, who transformed it into a church, in which function it currently finds itself in a perfect state of preservation. In the interior of the Pantheon the tombs of numerous Italian kings and a multitude of art works are found. The best-known person who can be found buried in the Pantheon is without doubt the painter and Renaissance architect Raphael. The outskirts of the Pantheon are usually full of people at all hours, either photographing the imposing building or having a traditional supper in some of the terraces of the Piazza della Rotonda while they enjoy the shows put on by different street artists. https://www.rome.net/pantheon

Situated on Via dei Fori Imperiali, Trajan's Market is an archaeological complex that currently holds the Museum of Imperial Forums (Museo dei Fori Imperiali). It is considered to be Rome’s first “shopping center”. The complex, made of red brick and concrete, had six levels in which there was once up to 150 different shops and apartments. When you visit the Imperial Forum Museum, you can stroll through Mercati di Traiano's various levels, as well as admiring several exhibitions that show the Imperial Forums' different aspects. The exhibitions are comprised of models and videos that accompany the various remains that are left from the Imperial Forums to try to transport visitors to classical Roman times. Although it does not enjoy as much fame as the Colosseum, Trajan's Market maintains an important part of its original appearance and offers a really interesting visit. https://www.rome.net/trajans-market

The Roman Forum was where religious and public life in ancient Rome took place. The Forum is, along with the Colosseum, the greatest sign of the splendour of the Roman Empire that can be seen today. After the fall of the Empire, the Roman Forum was forgotten and little by little it was buried under the earth. Although in the 16th century the existence and location of the Forum was already known, it was not until the 20th century that excavations were carried out. Interestingly, the place where the Forum was built was originally a marshy area. In the 6th century B.C. the area was drained by means of the Cloaca Maxima, one of the first sewer systems in the world. https://www.rome.net/roman-forum

Located 40 meters above the Roman Forum, the Palatine Hill is the most central of the seven hills of Rome and forms one of the oldest parts of the city. The Palatine Hill is considered to be the birthplace of the Italian capital and is believed to have been inhabited since the year 1000 B.C. During the Republican Period Roman citizens belonging to the upper class settled in the Palatine Hill and built sumptuous palaces, of which important traces are still preserved. n the Palatine Hill you can see hundreds of ruins of the imposing buildings that were created for high Roman society in ancient times. Although the whole scene is impressive, these are some of the points that deserve special attention: Domus Flavia, House of Livia, House of Augustus, Farnese Gardens, Hippodrome of Domitian and Palatine museum. The Palatine Hill is a very pleasant place for a quiet stroll under the shadow of the trees while passing many of the preserved corners of ancient Rome. https://www.rome.net/palatine-hill

Known as the Flavian Amphitheatre, the Roman Colosseum is one of the capital's most remarkable monuments. Every year over 6 million people visit it. The Colosseum is the main symbol of Rome. It is an imposing construction that, with almost 2,000 years of history, will bring you back in time to discover the way of life in the Roman Empire. The construction of the Colosseum began in the year 72 under the empire of Vespasian and was finished in the year 80 during the rule of the emperor Titus. After completion, the Colosseum became the greatest Roman amphitheatre, measuring 188 meters in length, 156 meters in width and 57 meters in height. During the Roman Empire and under the motto of "Bread and Circuses" the Roman Colosseum (known then as Flavian Amphitheatre) allowed more than 50,000 people to enjoy its finest spectacles. The exhibitions of exotic animals, executions of prisoners, recreations of battles and gladiator fights kept the Roman people entertained for years. The Colosseum remained active for over 500 years. The last recorded games in history were celebrated in the 6th century. Since the 6th century the Colosseum has suffered lootings, earthquakes and even bombings during World War Two. Demonstrating a great survival instinct, the Colosseum was used for decades as a storehouse, church, cemetery and even a castle for nobility. At present the Colosseum is, along with the Vatican City, Rome's greatest tourist attraction. Each year 6 million tourists visit it. On 7 July 2007 the Colosseum became one of the Seven Wonders of the Modern World. https://www.rome.net/colosseum

The Catacombs of Rome are former underground burial grounds that date from the second to the fifth century and were principally used by Christians and Jews. The catacombs possess a huge number of subterranean passageways that form real labyrinths that are several kilometres long, along which rows of rectangular niches were dug out. Roman law at the time prohibited the burial of the deceased in the interior of the city, for which reason all of the catacombs were located outside of the walls. These separated and hidden places below ground constituted the perfect refuge in which the Christians could bury their own, freely using Christian symbols. The catacombs of Rome offer a very special visit in which the funeral remains of those buried many centuries ago can be seen. It is fascinating to travel through the dark and damp passageways, where you can see, in addition to the niches, some inscriptions with the names of the people that once occupied them. Due to the high infant mortality at that time, you can see a large quantity of spaces prepared for these children, alongside some larger graves in which the whole family was buried. During the visit, a guide who is specialized in the topic gives the visitors several interesting facts relating to the catacombs and the period in which they were operating. https://www.rome.net/catacombs-rome

Located in the baroque palace of the XVII / XVIII century of the Count Caliphs, the museum was founded in 1954 on the initiative of some artists of Rovinj. Their idea was to gather the rich cultural heritage of the city in a single exhibition space. The museum serves as a town gallery and exhibits its precious collection to the public in a permanent exhibition. In its half-century of life it has gathered a rich collection that includes sections of contemporary art, old masters, archaeological, ethnological, books, documents and photographs on the activities of the partisan battalion Pino Budicin and more. The Museum houses one of the most important collections of ancient masters in Croatia, in particular the Italian masters from the fifteenth to the nineteenth century. The Renaissance is represented through works by artists from the circle of Giovanni Bellini and Bonifacio de Pitatija (Adoration of the Magi), while the most important exponents of Baroque are Marco Ricci (On the road to Emmaus), Antonio Zanchi, Jerome Romanin, Nicola Grassi, the school of Guido Reni and Bernardo Strozzi and others. https://www.inforovinj.com/eng/rovinj/znamenje/zavicajni-muzej-rovinj.asp

At the highest hill in Pula, at an altitude of 32.4 m, between the sea and the hills Arena, Zaro and Sv. Mihovil, the adapted Venetian fortification, houses since 1961 the Historical Museum of Istria, founded as the Museum of the Revolution on December 31, 1955. The Historical Museum of Istria – Museo Storico dell’Istria carries out its activities as a public institution. Presently, it is a County institution that keeps part of the national and universal heritage, from the High Middle Ages until the recent history directly or indirectly presenting it to the public by means of permanent or temporary exhibitions or publications. The Museum has several departments – Department of the history of Pula, Department of medieval Istrian history and the Department of modern Istrian history with adjoining collections (Cultural-historic collection of urban life, Collection of old postcards and photographs, Collection of maritime history and shipbuilding, Collection of economic development, Cultural-historical collection of suburban life, Collection of insignia, diplomas, seals and coats-of-arms, Coin collection, Collection of arms, uniforms and military equipment, Collection of film and video recordings, Collection of memoirs and phonographic recordings, Collection of significant persons and the recently established Collection of old maps. In the rich museum holdings (over 40,000 artefacts), particularly important is the collection of old postcards, maps and the collection of arms, uniforms, military and maritime equipment. https://www.pulainfo.hr/where/historical-maritime-museum-istria

By collecting stone monuments in the Temple of Augustus in 1802, marshal Marmont began the founding of the museum collection in Pula. However, the discovery of stone, ceramic and metal objects in Nesactium was the basis for founding the Museo Civico (City Museum) in Pula in 1902. After the seat of the “Società istriana di archeologia e storia patria” had been moved and with the transfer of the archaeological inventory from Poreč to Pula, the Museo Civico was integrated with the National collection (stone monuments) and the Poreč Regional Museum (Museo Provinciale) into one regional institution. Therefore, in 1925 the Museum of Istria (Il Regio Museo dell’Istria) was founded in the present-day museum building. In 1930 the museum opened its doors to visitors, and a guidebook in Italian was published. This exhibition, along with minor changes, was open for the public until the end of World War II, when many objects were transferred to Italy during the Anglo-American administration. https://www.pulainfo.hr/where/archaeological-museum-istria-2

The museum collects works of art created in the second half of last century until the latest work of recent artists. MCAI represents an open meeting place of multiculturalism and, above all, to be a leading cultural and art institution of Istrian artists. http://www.pulainfo.hr/where/museum-contemporary-art-istria

The first exhibition of the current Archaeology Museum was located in the Loggia under the Palazzo della Ragione, in Piazza Vecchia, where it was simply a “collection of old stuff” and included several epigraphs. http://www.visitbergamo.net/en/object-details/73-archaeological-museum/

La Scala, or Teatro alla Scala in Italian, is one of the most famous opera houses in the world. Its sober and elegant exterior never fails to surprise those that visit it for the first time. The Archduke Ferdinand of Austria-Este commissioned the construction of a new Ducal Theatre when a fire burnt down the previous theatre in 1776. The opera house was built on the site where the former site of the Church Santa Maria alla Scala, hence the name of the Teatro alla Scala. Like other theatres of the same period, La Scala also housed a casino during its early years. In 1943, during World War II, the theatre was badly damaged by bombing. It was reconstructed three years later. In 2002, the Opera House was closed for two years while it was renovated and opened in November 2004 with an opening performance of Europa riconosciuta by Antonio Salieri, which is the same opera that was performed when the theatre was inaugurated in 1778. Many famous operas have had their first production in La Scala, such as Othello, Nabucco by Verdi or Madame Butterfly by Giacomo Puccini. During its early years, the composer Giuseppe Verdi did not want his work to be represented in the Teatro alla Scala because he was convinced that the orchestra modified his compositions. Nevertheless, he then established a very close relationship with the Opera House. The Theatre Museum contains a large collection of paintings, busts, costumes and several other objects related to the world of opera and theatre. The visit includes discovering the theatre’s grand foyer, an elegant and sparsely decorated hall. Then you will be taken to the small box seats covered in red satin, where the high society enjoyed and still enjoys the various operas and ballets performed in La Scala. The enormous auditorium is made of wood and covered in red velvet, adorned with golden coloured stuccos. The stage is lit by a huge Bohemian crystal chandelier with 383 bulbs. https://www.introducingmilan.com/teatro-alla-scala

The new museum, created inside the ancient Ospedale Spagnolo (Spanish Hospital) in the Castello Sforzesco, is a fascinating space that has never opened to the public before and is exclusively dedicated to Michelangelo’s last masterpiece. http://www.turismo.milano.it/wps/portal/tur/en/arteecultura/musei/pitturaescultura/Museo_della_Pieta

Castello Sforzesco is a surprising monument sheltering several specialized museums and traces of the city’s past. An oasis of art and culture. It was originally a Visconti fortress and later home to the mighty Sforzas, the rulers of Milan, who transformed it into a magnificent ducal palace thought to have been decorated by several of the greatest artists of the times including Donato Bramante and Leonardo da Vinci. Transformed into a military complex during four centuries of foreign occupation and subsequently used as the barracks of the Italian army, at the end of the 19th century the Castle was restored by architect Luca Beltrami who turned it into the headquarters of Milan’s Civic Museums. Today the Castle sits in all of its glory in the eponymous square with its 70m-tall “Torre del Filarete” and a number of majestic circular keep-towers. https://www.wheremilan.com/sightseeing-sempione/sforza-castle/

The new MUSE is located south of the historic Palazzo delle Albere in the new city district Le Albere, which was also planned by Renzo Piano. In this museum science and technology show the interaction of humans and the environment. The MUSE especially invites young, children and families to a wonderful journey into science and nature. The metaphor of the mountain is used in the exhibition to relate life on earth, the first Alpine dwellers, the history of the Dolomites and nature of the Alps. The MUSE also organises numerous events and temporary exhibitions. A special experience is “Maxi Ooh!”, a room for children from 0 to 6 years. A place of sensory experiences with touching, smelling, looking, seeing, and hearing. Fun is guaranteed! https://www.trentino.com/en/highlights/museums-and-exhibitions/muse-science-museum-of-trento/

The home of the Tridentine Diocesan Museum is the Pretorio Palace, first Episcopal residence of the town, in the heart of Trento. The museum was founded in 1903, also the Early Christian St. Vigil Basilica and the exhibition in the Libera Palace in the district of Villa Lagarina belong to it. In the halls of the museum the artistic and cultural treasures (from the 11th - 19th century) can be admired, all of them come from the churches of the Trentino: paintings, wooden sculptures, winged altars, pictorial manuscripts, valuable specimens of goldsmith’s work, ancient art embroideries and Flemish tapestries. The museum also houses the treasury of the cathedral with the large processional casket of St. Vigil. The multimedia station shows the most important stages of the building of the cathedral in three-d. At one passage in the museum a gorgeous view on the near located cathedral can be enjoyed and the archaeological zone of Porta Veronesis can be visited. The museum is also responsible for the near located Early Christian Basilica of St. Vigil. https://www.trentino.com/en/highlights/museums-and-exhibitions/tridentine-diocesan-museum/

The Buonconsiglio Castle is the largest and most important monumental complex of the Trentino Alto Adige region. It was the residence of the prince-bishops of Trento from the 13th century to the end of the 18th century, and is composed of a series of buildings of different eras, enclosed by walls and positioned slightly higher than the city. Castelvecchio is the oldest nucleus, dominated by an imposing cylindrical tower; the Magno Palazzo is the 16th century expansion in the Italian Renaissance-style as commissioned by the Prince-Bishop and Cardinal Bernardo Cles (1485-1539); the Baroque-style Giunta Albertiana dates from the end of the 17th century. At the extreme south of the complex is the Torre Aquila, within which is conserved the famous Cycle of the Months, one of the most fascinating secular pictorial cycles of the late Middle Ages. Also of exceptional interest are the extensive cycle of frescoes commissioned by the bishops to decorate the interior walls of the Castle, mainly in the late Middle Ages to the Renaissance period. https://www.buonconsiglio.it/index.php/en/Buonconsiglio-Castle/castle/Visit/Introduction

It may seem strange entitle a museum to a stone, but a visit to the Ecomuseo della Pietra da Cantoni clarifies why this unique material is so important to the Monferrato’s culture. http://www.monferratodelights.com/blog/ecomuseum-pietra-da-cantoni/

A gem of industrial hydroengineering, Panperduto represents an area of great interest to make visitors aware of cultural, historical, agricultural and environmental heritage. Located on the banks of the Ticino river, at Somma Lombardo along the European E1 trail and a few kilometres away from the Lago Maggiore and Milan, Panperduto is a place rich of history and culture. The old residence of the dam workers has been authentically restructured and today welcomes tourists following the cycleways, footpaths and points of interest along the watercourses. There is accommodation available with the opportunity to take guided tours of the whole complex, from the river confluence to the museum of the Italo-Swiss watercourses including a garden of interactive water games, to the migratory passage for fish and the beautiful trails immersed in the Ticino nature reserve. http://www.vareseturismo.it/en/blog/panperduto

It seems that in the first half of the 15th century the Visconti stayed "in the countryside", a step away from the current Marche metro stop in Milan, in Villa Mirabello. At the time, however, the building we are talking about was called Cascina Mirabello, and it can be found in the documents of 1468 that recognized it as the property of this Pigello Portinari. The Florentine nobleman dear to Prince Sforza, general manager of the annuities of the Milanese duchy and representative of the Florentine House of the Medici in Milan, was also the promoter of the construction of the Portinari Chapel in Sant'Eustorgio. Towards the end of the 15th century, the villa changed hands, becoming the property of the noble Landriani. Antonio Landriani, awarded by Francesco Sforza as mayor of Milan in 1456, then appointed prefect of the ducal treasury by Galeazzo Maria Sforza, later president of the Mint of Milan by the appointment of Gian Galeazzo Sforza, then became a trusted man and adviser politician of Ludovico il Moro. Ludovico himself was a guest of the Landriani in Villa Mirabello on February 4, 1500. A few years later the villa became one of the houses of the order of the Humiliati, of which Gerolamo Landriani was general. The Landriani family remained the owner of Villa Mirabello for some tens of years, enough to leave traces still visible today in the form of coats of arms that stand out on the fireplace of the main hall and on the ceilings, together with the motto "always el duty ”frescoed on the walls of the villa next to pomegranate figures and blue crosses. It seems that the villa then passed from Landriani to Marino, a rich family of Genoese origin whose member Tommaso entrusted Galeazzo Alessi with nothing less than the construction of Palazzo Marino in Piazza Della Scala. The history of the villa, in the following years, is rather confused, but it is known that it later became the property of the Serbelloni family and that, starting from the mid-1500s, it faced a sad decline: the building was reduced exclusively to uses agricultural and over the next three centuries it became increasingly dilapidated, until Luca Beltrami, in 1891, considered it by re-evaluating it as an illustrious example of Lombard architectural art. https://www.fondazionevillamirabello.it/